The Valentine – A Tribute to Love

Messages of love span the centuries, and are interwoven with culture and history to create a very poignant view of actual people and their sentimental values.  They enable us to acquire a unique concept of love and romance in a different historic period, and create an interesting chronicle of a significant social event which was celebrated extensively by every strata of society.  Many of these love tokens were given throughout the year, as simple tributes of love and affection.

Within this category, there is something of special interest for everyone, as Valentines are far from limiting.  The preservation of sentimentality, love, artistry, elegance, and accompanying history, make it an incomparable subject. Beyond the sugary open-outs, there is a wealth of beautiful material that is largely unknown. The subject permeated literature stimulated artists and passionately encouraged the creation of lasting treasures.  They provide numerous areas for cross collecting, for the addition of these seemingly disparate items may actually enhance a collection.  Impressive items appear on the market with surprising frequency, so even the rarest examples are not impossible to find.
 

Valentine production was affected by a timeline of events, such as wars, the Industrial Revolution, changes in the postal system, and politics; enabling one to focus on a specific area of interest.  A relatively inexpensive assortment can provide infinite rewards, while a sophisticated collection, requiring more dedication, may provide far-reaching potential for real research and investment. Both satisfy that genetic inclination to shop the shows, savor the camaraderie of the collecting atmosphere, and enrich one’s life!

Research into early texts provides interesting insights into the history of Valentine’s Day. For example, the earliest piece in my collection is a page from the Nuremburg Chronicle, printed in Latin in 1493, providing the first reference to the martyrdom of  Valentinus;  the first reference to the pairing of birds on Saint Volontyne’s Day appears even earlier in Geoffrey Chaucer’s Parliament of Fowles. In the seventeenth century, Samuel Pepys recorded in his Diary, that jewelry, gloves, and a paper valentine were gifts on Saint Valentine’s morning, along with the promise of a person as a Valentine for the coming year.  Until that time, the Valentine had been the person chosen by lottery. Valentine writers, early chapbooks that provided poetry for suitors lacking the talent to create original romantic verses, provide a curious perspective of people – so similar to us – who enthusiastically participated in the annual festival.

Devotional circa 1700:  Among the earliest tokens of affection, and the precursor of lace paper, these hand-cut religious gifts were treasured. They are probably the most sought-after of Valentine collectibles, both for their history and artistry, as well as for the emotion associated with their enduring love.  Hearts and flowers, a delicate swag, and a festive border frame the central cartouche with its gouache painting of St. Paul. [Parchment, knife-cut, c1700-1750.  France or Germany. 2-1/2”x4”]

From the late fifteenth to the mid-nineteenth century, small papercuts known as Devotionals were created for the joy of the artists’ religious faith.  From convents in French and German-speaking areas, there emanated beautifully executed works of art, which are still cherished today for their exquisite designs and their incredible delicacy.  Vellum was delicately knife-cut, the artistry emulating the finest tatted lace, and often adorned with gouache miniatures of saints.  Commemorating a wedding, baptism, birth, memorial, or Valentine, one might have been cherished within the pages of a family Bible or album – only to be discovered centuries later by an ardent collector.  Following the elusive “evolution of the Valentine” has been a fascinating journey, and a revelation to discover the breadth of the subject, as well as the depth of the passion involved.  In this instance, the passion was a religious fervor, and the resulting creations were sold for the purpose of charity.  This was a sacred love token – as pure as the basic concept of love.  Their unique form and beauty make them a significant link in the development of the Valentine, and help us to understand their important role in the intimate personal communication between friends and lovers so many years ago.  Later cutwork is more familiar to us, with their generally secular themes.  Created as tender gifts reflecting immigrant customs, or by parlour craft projects fashioned by sophisticated romantics, they are coveted by collectors, and may reach astounding prices.

Manufacturers of early paper were inspired by the designs, and the motifs, along with the Sacred Heart, endured during the evolution from handmade to manufactured.  As the precursor of the magnificent machine-made lace paper marvels, these hand-cut designs are notable landmarks to a modern collection, and are still occasionally available.

The fine early paper artisans resided in Austria and Germany, where cards became traditional ways to honor the New Year, Friendship, and Name Day occasions.  During the later eighteenth century, as they became more sophisticated, they acquired elegant cameo-embossed, satin-covered surfaces, and often incorporated tempting secret panels and hidden messages.  Mechanical cards were a popular invention, and cobwebs and open-work lace paper were not unknown.  The Biedermeier Period, circa 1820, recognized for elegance in furniture and design, also stimulated the creation of some of the most elegant greetings ever seen.  Tiny hand-painted and embossed paper ornaments, gilded die-cuts, or mother-of-pearl were affixed to silk chiffon, and framed with engraved messages, to create beautiful compositions. Unique and rare, the Fabergé-like treasures were among the finest examples available for the sentimental affluent.  Today’s collector still seeks these paper jewels to crown their own collections.

The manufacture of cameo-embossed lace paper reached its peak in England in the first half of the nineteenth century.  Competitive companies applied rag pulp to steel plates, from which emerged cherubs, couples, the church (bastion of holy matrimony and wedded bliss), romantic imagery inspired by mythology, poetry and nature, and borders reminiscent of handmade lace.  The beauty of the assembled collages – confections that incorporated lace paper, metallic Dresden ornaments, ribbons and flowers – proved irresistible.  Engravings and hand-colored lithographs, both sentimental and satirical, puzzles and poetry, all added to the comprehensive offerings, based on price, style, and theme.  Used as a canvas for elegant calligraphic script, these papers remain the pinnacle of manufactured stationery, and were essential to the refined art of letter writing.  Accompanied by elegant pens and love letter seals, they created the elegant correspondence, which defined an era.

 Long associated with the exchange of Valentines, is the delicious ingredient of mystery.  Recipients were challenged to discover the identity of anonymous admirers, as mysteriously unsigned missives might be slipped under the door, tied to the doorknob, delivered by the postman, as well as transported by courier, coach, or rail.  The tradition was an important aspect of nineteenth century life, where romance and death were regularly feted in albums, poetry, and art.  The holiday was so widely celebrated that by the 1830s, it is said that 60,000 valentines passed through the London post office.  By 1857, three million valentines were sold in New York City, the number reaching nearly a billion, by 2002.

“Maria French” Lace Valentine: 

A mid-nineteenth century valentine addressed to Miss Maria French. Usually found in less impressive versions, costly  imported English lace-paper is the background for this romantic scene.  [Manufactured by Mansell, and watermarked “Towgood 1855”  6 ¾” x 4 ½”]

[Below] “Maria French” Envelope:
The lace treasure was preserved, carefully enclosed within the famous Romeo and Juliette envelope.  Printed here in red, white and blue, it was also found in  green and red. Factory Point, Vermont,  now known as Manchester , happens to be the  location of Hildene, the former summer home of  Robert Todd Lincoln,  eldest son of Abraham Lincoln and Mary Todd Lincoln. [5”x7”]

The earliest American valentines were handmade and are now coveted as folk art.  Cut paper, known as scherenschnitte, and fraktur liebesbriefe, or love letters, reflect the influence of the German immigrants.  School girl drawings, theorems, cut paper, and shell baskets are examples of classic expressions of love learned from school or contemporary publications.  The Language of Flowers provided an important tool, as hearts and flowers remained the eternal emblems of love.  Octagonal boxes containing ornate shell compositions, generally made in the Bahamas, and scrimshaw love tokens such as busks, boxes, and pie crimpers are other expressions of love, which would be enjoyed by collectors of nautical items.  The overlap is apparent, and thus the increased interest and value of many of these highly sought antiques.  They belong in the hands of any appreciative collector who understands their relevance, and will cherish them.

Typical small Esther Howland Valentines utilized the glazed paper wafers, hinges, and lace paper, and varied according to price.

Esther Howland was a visionary who had a lasting impact upon Valentine history.  While she was not the first to create Valentines in America, she is credited with having popularized the lace valentine, and propelling it into a major industry.  Using a truly innovative concept, she recruited friends and established her now-famous all-female production line.  Additionally, she initiated a cottage industry. Supplies, including a template, would be delivered by her coachmen to ladies in the vicinity, made to her specifications, and collected a few days later.  The wondrous creations – with multiple layers, die-cuts, Baxter prints, Dresden ornamentation, and personal mottos inside – would then be sold throughout the country.  Starting with Leap Year cards she created for her friends at the Mount Holyoke Female Seminary in 1848, a business was established which yielded more than $100,000 annually.  Specific markings identify these to the collector, and are keenly sought.

The Soldiers' Tent:
The most famous valentine image from the period, the tent is symbolically draped with the American flag. Within the tent, the soldier is shown writing to his beloved, who is seen in his dream. Sent February 14, 1863:

“Dear Sister … I must stop riteing (sic) for this time for I must tend to my gard (sic) … Amos Winner.

While artists influenced the designs of many pieces, unskilled, loving hands inspired and created my most sentimental treasures.  Purity and simplicity are their most appealing aspects, as they are a personal connection to intimate links with the past. Wherever I look, I find valentines and related memorabilia.  From my treasured Sailors Farewell pitchers, and the textile sailors’ bundles on the walls, to Elizabeth Cobbold’s majestic papercuts, or a Pennsylvania fraktur, I celebrate Valentine’s Day every day!  Treasures such as a lock of hair woven into an endless knot of love, romantic games, watch papers, and fans – possessing their own language – enchant, as not all Valentines are paper lace.  Even the related advertising materials have their vital niche. These intensely personal and wonderful mementos demonstrate the relevance of expressions of love throughout history, how they have permeated art and life, and passionately celebrate the tradition of The Valentine.

About the author:  Nancy Rosin is  President of the National Valentine Collector’s Association and Vice-President of the Ephemera Society of America. Her web site, Nancy Rosin’s Victorian Treasury, contains a wealth of information about the history of valentines, information about the National Valentine Collectors Association, plus Nancy Rosin’s posters, antique and vintage valentines, collectors’ video, and reproduction greetings.