From The Standard Designer, 1897
"FASHION, as applied to the garb
of the wheel-woman, offers but few radical changes for the spring
season [1899]. Bicycle costuming has passed the experimental stage
and has now reached a point where improvement becomes difficult; for
the perfect wheeling costume, if not already an accomplished fact,
is as near perfection as most people ever expect to see it. The
up-to-date suit, indeed, not-withstanding its simple exterior,
represents more ingenuity and artistic skill than is exhibited in
the most elaborate evening gown. Gathered from an infinite number of
sources, every device that the fertile brain of the costumer can
produce is applied to its practical advantage or made to contribute
to its artistic improvement."
"Materials
for the development of cycling garments remain practically the same
as those in vogue last season, though combinations and trimmings are
somewhat more affected than formerly. Mixtures and indistinct checks
in neutral shades are much in evidence, albeit the more expensive
costumes run largely to plain, one-color weaves. A substantial
fabric having much the appearance of ladies'-cloth, though without
the perishable high finish of that
material, is in great favor for the better class of costumes, revers
of velvet forming the prescribed trimming. Sailcloth is also used by
some of the leading tailors, this developing an especially stylish
costume when combined with canvas cloth or coarse braid.
Brilliantine, from its marvelous durability, lightness and
dust-shedding properties, will continue to be largely worn, whether
it be formally sanctioned by fashion or not. Mohair Sicilian is far
and away the best variety for cycling purposes, its coarse weave
rendering it not only more appropriate for the wheel, but causing it
to retain its style and lustre under the most severe strain which
the ardent cyclist can put upon it. Serge, too, is well represented
in the latest output of bicycle suits. But the experienced rider
will consider long and prayerfully before investing in a serge
costume, knowing that dust and stains are exhibited upon its surface
in a most unkindly light, and that it yields but unsatisfactory
results to the renovating influence of benzine or brush."
"Though
many of the imported wheeling costumes are of complicated design,
ornate with braiding or appliqué, conservative riders steadfastly
adhere to simple styles and quiet color effects. American cyclists,
on the whole, may be credited with an acute perception of the
eternal fitness of things— for most of the bizarre costumes which
find a market on our shores are utilized for show window purposes
rather than club runs. The correct attire has the same color scheme
throughout. Leggins, hat, gloves, tie—even the chatelaine bag—must
match the costume, though the first two need not necessarily be of
the dress material. Large smoke pearl buttons are much used on many
of the smartest spring toilettes and will supersede, to a
considerable degree, the rows of diminutive buttons so much worn
last season. The Norfolk jacket threatens to become a permanent
feature of the cycling habiliment. Trifling changes, to be sure,
have been made in cut or decoration, but it remains practically the
same. The pleats are a trifle broader than those of last season and
graduate toward the waistline, from which point they expand to the
lower edge of the waist. Modish little Eton jackets, buttoning in
double-breasted fashion, are also exceedingly popular among the
cycling contingent. They are somewhat more favorable to the figure
than are the Norfolk jackets, which should not be worn
indiscriminately by the hollow-chested or slender."
"The
cloth shirt waists now so much in vogue will form a strong rival to
the various jackets and basques as soon as the weather becomes mild
enough to render an outer garment unnecessary. The shirt waist,
whether of lawn or ladies'-cloth, constitutes an ideal garment for
the wheel, being the acme of comfort and durability, while
exceedingly favorable to the majority of figures. The Fig. 1 shows
an excellent model for general wear and one that will lend itself
readily to effective development in any of the regulation bicycle
cloths. Used with a skirt of the same or of neutral plaid or
mixture, an especially chic suit is produced. Stock collars, similar
to those worn, with the conventional tailor costumes, are extremely
fashionable this season for wheel women and will be largely used
with basques and shirt waists. The conventional collar and
cravat are shown on Fig. IV."

"Two practical and popular skirt
models are shown in Figs. IV. and V. The latter has the usual
apron-piece, which may be removed when a diamond frame is preferred.
The back is arranged in graceful pleats which diminish gradually
toward the waist-line. The skirt illustrated in Fig. IV is combined
with the trousers. It is of correct length and fullness, and the
fastening is affected beneath the apron-piece. The fad for
elaborate braiding on the apron-piece has suffered the fate which
sooner or later attends all things manifestly inappropriate. No
ukase of Fashion, when palpably at war with common sense, can
popularize or perpetuate a mode of this kind. The charm of novelty,
after all, is not so potent with the multitude — if any moral can be
drawn from the brief careers of extravagant effects in cycling
apparel. The bicycle costume and the ballgown are wholly
incompatible, and any attempt to engraft the distinctive features of
the one on the other, cannot but result disastrously."
"Trimming, however, is by no
means wholly abandoned. Bands of braid, leather or contrasting
material may be applied about the edge of the skirt and thus answer
the twofold purpose of holding it down, as well as providing a
tasteful decoration. Lead weights are sewn at equal distances about
the hem by some riders, while others attach an elastic strap to the
lower edge of the skirt and the second button of the gaiter."
"The
fashionable sweater this season is of plaid or striped wool, the
forearm and a deep band at the waist being plain. The effect is
striking rather than attractive; nevertheless, it is safe to predict
that they will not lack either admirers or purchasers. Some
extremely pretty effects are introduced in a variety of sweater
woven in the golf designs hitherto confined to hosiery. Horizontal
bands of insertion in lacy patterns are seen on some of the more
expensive models. These bands extend in unbroken lines across front,
back and sleeves, and, being woven in multicolored silks, are highly
ornamental. The plain ribbed sweater, though relegated somewhat into
the background by the more elaborate specimens now fashionable, will
not be altogether absent from cycling dress parades the coming
season."
"Figs. IV and V show two
especially attractive costumes. The former illustration embraces
Ladies' Shirt Waist No. 3402 and Ladies' Standard Combination
Bicycling Skirt and Trousers No. 2631. The latter is a combination
of Ladies' Stock Collar No. 3461 ; Ladies' Vest No. 1216; Ladies'
Jacket No. 3090 ; Ladies' Divided Bicycling Skirt No., 3126, and
Ladies' Leggin No. 869. The hat is of stiff felt."
"In misses' and girls' costumes,
much the same modes obtain as in those intended for adults. The
etiquette of correct dressing is by no means relaxed, nor are lapses
to be regarded with a more lenient eye, because the rider is in her
early teens. Scotch and Irish mixtures are used almost exclusively
for misses' costumes, and trimming—if anything beyond
machine-stitching be desired—must be confined to braid and velvet.
Fig. III illustrates a misses' costume correct in every detail. No.
3486 supplied the pattern for the Norfolk jacket; No. 3251 for the
hat, and No. 3165 for the skirt, the apron-piece of which is
omitted. The same skirt differently developed constitutes part of
the stylish toilette shown in Fig. I Tam-o'-Shanter No. 3357, Leggin
No, 1806, Sweater No. 2642 and Blazer No. 2546 were used in
fashioning the various garments. For the wardrobe of the juvenile
wheelman, a jacket provided with outside pockets conveniently
placed, is an almost indispensable adjunct, and it will be found the
ultimate course of economy to construct a garment especially for
this purpose."
MORE INFO:
Bicycle Design from 1816 to
1880
Images of the
celefire- or speed-maker, the Lallement Velocipede, American
Velocipede, plus more. |